Skip to main content

Day 3 - Part II - The Covers Show


If there is one thing you can't accuse Hanson of, is of not listening to their fans. A lot of international fans on the forums had expressed an interest in experiencing the covers night of the R&R tour so I had a feeling that they’d give us a covers show at this BTTI.  I was proven right - as they announced on the first day in Jamaica (the original plan, as highlighted in the newsletter, had been an acoustic show). I was intrigued and approached the show with an open mind; besides, I remembered from the setlists of the R&R tour that the covers night had also featured a few Hanson songs.

As it turned out, the setlist was made up entirely of covers: from Blues Brothers classic ‘Gimme Some Lovin’ to an epic rendition of B.B. King’s ‘Stand by Me’, to a dance-along ‘Dancing in the Street’, which Taylor changed, rather aptly, to ‘Dancing on The Beach’. I didn’t know all the songs, and wasn’t a fan of all the ones I did recognise (ahem, Michael Jackson) but I still enjoyed the set. And when I heard the opening notes of ‘Desire’ - one of my favourite U2 songs of all time - the 16-year-old me* was in heaven (*who had seen the Rattle & Hum movie three times at the cinema when it was released)

Setlist photo courtesy of Iria Rodriguez

It was a great show, the guys were in top form and I got to dance and sing along and had a great time. So what was missing? I guess it was the Hanson songs. Nothing connects us to the band like their own music, which I think is why I found the second show ultimately fun but less emotionally involving.
You can’t have it all though, and I’m grateful that Hanson decided to offer that experience to their BTTI fans: now I can tick that off my list and relate to the R&R tour a bit more!

On a sidenote - that’s the kind of show for which you need friends who aren’t going to be embarrassed by silly dance moves. You really need to dance like you don’t care.
At one point Taylor looked at the crowd and said ‘there’s some swingin’ and swayin’ going on there!’ And that’s what a band wants - an audience who rocks it out rather than a bunch of zombies holding up their phones at the guys for 2 hours. Food for thought.

WE CAN ROCK THIS PLACE


Comments

  1. I went to 4 shows on the RNR tour, so I pretty much had my fill of the covers. However, I'm glad they played them for all the fans who couldn't get to RNR....and one can never get enough of Zac's dancing!

    ReplyDelete
  2. I felt exactly the same, Paola. I saw the covers show in NY and in a way it was fun to relive that. But I expected to have some Hanson songs in between... Anyway, it was so much fun and I danced my ass off hahahaha
    Ah, and I saw you moving your body during Remember The Time!!! I have proofs, I recorded, need to send you :P

    ReplyDelete

Post a Comment

Popular posts from this blog

Hanson Day 2019: a Recap

Registration To everyone’s surprise, registration opened before the event had even officially started, on Wednesday afternoon. I don’t know if that was planned, or if it was a last minute decision, but it was a good idea regardless. It’s obvious that more and more people are arriving to Tulsa earlier in the week, so it makes sense to try and register as many attendees as possible, as soon as possible. So by late afternoon on Wednesday I had my bracelet, my tickets and, most importantly, my EP. I’d lugged my trusted old MacBook Air and an external CD drive all the way across the Atlantic with the sole purpose of being able to listen to that EP straightaway so I headed back to my hotel room for a very exclusive Listening Party. ( Check out this blog again soon for a full review of the EP .) Storytellers Setlist This year’s Storytellers was effectively an acoustic show, centred around the Underneath album. It’s a golden combination for me, as I discovered the b

A BTTI 2017 Post-Mortem - Part 1: Dissecting the Shows

It was only going to be a ‘once in a lifetime’ experience: the solo sets had sold it to me, and besides, I’d never seen Hanson play with the full band. A one-off. Yes, it was only going to be a one-off. Well, that was 2015. On a grey and wet British New Year’s Day, I boarded a Jamaica-bound flight, ready to do it all again for the third time in 2017. Those who have read my blog posts from BTTI 2016 might remember that I wasn’t exactly awestruck by last year’s event: I’d found the shows lacking something, not to mention I'd been left seriously disappointed by Isaac’s solo set (for an Isaac ‘girl’, this is a serious matter). Aside from having fallen in love with Jamaica, I guess my mixed feelings about 2016 were part of the reason for wanting to go back: I had such fantastic memories of the 2015 shows in Cancun that I wanted another taste of that experience. I knew BTTI was more than a holiday with friends: it was a chance for me, as a European fan, to load up on Hanson conc

Is this In Real Life? A review of Hanson's 2019 Fan Club EP

I was in my hotel room in Tulsa when I first listened to the EP. I’d ferried my trusted seven year old MacBook Air all across the Atlantic, complete with an equally old and battered external CD drive, with the sole purpose of ripping that CD the moment it was in my hands and listening to it in religious contemplation. Compromise The first song in the EP, "Compromise" starts with a piano and guitar intro, and instantly puts me in a state of acoustic bliss that reaches its nirvana as Isaac’s voice comes on some twenty seconds later. Before you can scream ‘Isaac lead’,  Zac takes over vocals on the second verse,  with the final part going to Taylor. After my initial split second of disappointment, it made complete sense: it’s a song about compromise, shared among the three brothers and layered with their trademark harmonies in between each verse. What is that if not a perfect example of musical compromise? Thematically, my first thought was that the lyr